The Language of Color

By Judy Feldman |

This winter, I took a trip to San Miguel, Mexico. This colonial city bursts with color, and it’s not unusual to see homes painted in bright yellow, reds and greens, enhanced with beautiful foliage. The many shops display handcrafts that reflect Mexicans love of color.

The Colors of San Miguel
Judy Feldman
30" x 36", oil on canvas
When I returned here to the desert, I realized that our homes are painted to blend into the landscape, so color must occur inside.

That’s where art comes in. Many painters, especially those at Wilde Meyer, enjoy expressing themselves through the use of bright color. The gallery is known for its artists’ love of a strong palette, expressed in a variety of styles.
For Evermore
Cathy Carey
25" x 21", oil on canvas

Cathy Carey describes herself as a “contemporary expressive colorist,” and says that she strives to “use color to create emotional meaning and visual depth.” Although Cathy paints landscapes, she doesn’t use much local color. Instead, her goal is to communicate what the scene feels like to her, using strong hues. Cathy is very knowledgeable about color theory, and works with contrasts, such as warm against cool, light against darks, and brilliant hues adjacent to neutral tones. Her painting entitled “For Evermore” illustrates this technique. The purple mountains and vegetation pop against the bright yellow sky and paler yellow foreground. The tree trunk texture is created by warm hues against cool ones. Adding to the vitality of the painting are her beautiful brushstrokes, which remind me so much of Van Gogh. 

Sounds of Life
Cathy Carey
30" x 24", oil on canvas
Cathy told me that she is very influenced by the impressionist and post-impressionist masters. She said that Monet’s writings about color and composition are of particular importance to her. “I’ve learned to use diagonal shapes to guide the viewer’s eyes, and to circulate a color throughout the painting to create a unified look,” she said. You can see these ideas expressed in her painting entitled “Sounds of Life.” The diagonal movement of the painting images takes our eyes upward at first glance; then we can focus on the shapes, and see the animal curled up among the plants. Cathy uses her blues and greens in different areas, which unifies the painting, and the pop of red/orange against the greens enlivens it up. Her energetic brushstrokes, reminiscent of Van Gogh’s, really make the painting appealing to me.
Jack Roberts also strives to create a visual sensation through color. He, too, wants to stir the viewer’s emotions, and says that his abstract paintings are about pushing color and shape buttons. Jack works on a large canvas, on a flat surface. He says that he likes to paint wet-on-wet, so the paint is always moving. He uses many different implements, from plastic spatulas to push brooms and house paint brushes. A garden hose is used to remove paint in some areas, and reveal other dry paint underneath, to create the layers he wants.

Jack Roberts
50" x 50", acrylic on canvas
I’m a person who thrives on color, so I’m very drawn to Jack’s paintings. As you can see in his painting entitled “Acoma,” his colors are very clear; he mixes beautiful opaques with jewel-toned transparent hues.

Pow Wow
Jack Roberts
50" x 60", acrylic on canvas
“Pow Wow” is another burst of color. Jack said that he was inspired by Native American dancers’ costumes. “What you see here are the garments, and a suggestion of figures moving,” he said. “But, I’m not interested in a linear interpretation. I like to work freely and go where the paint takes me. Although I want my work to look spontaneous, each painting requires considerable thought, to make sure that I achieve the proper composition and color relationships.”

 An interest in color also drives the work of Theresa Paden. Her paintings convey her love of animals, but they are not the usual wildlife art. They’re vivid and exciting because she employs energetic colors that aren’t traditional in any way. “When I’m painting, I enjoy experimenting with different color combinations,” Theresa said. “First, I do a drawing, based on a photo. Then, I do several small color studies to see which combinations depict the feelings I want to express.”

Bison on the Move
Theresa Paden
30" x 48", acrylic on canvas

Like all of us color-obsessed painters, Theresa says that she is inspired by the Fauves and Post-Impressionists. She adds that her color palette had been initially inspired by a trip to Santa Fe, when she was so enchanted by the light and the colors of the city, especially turquoise, red and coral. You can see this influence in her painting entitled “Bison on the Move.” The bright turquoise on the animal’s head and light yellow on its back tells us that it’s in sunlight. These colors, along with warm reds and browns enliven the painting and give it a contemporary look.

Theresa Paden
20 X 20", acrylic
Theresa’s paintings are fresh and modern because she’s not trying to set her animals in a traditional wildlife environment. Instead, she creates abstract backgrounds with bold strokes of color. “Meandering” is a good example of this technique. “I’m trying to show dappled light coming through the trees on to the animal,” she said. “These backgrounds also set the animal apart and enable me to work in looser shapes and brushstrokes. I like to do something the camera can’t do.”

 Playing with color enables artists to explore creative possibilities and convey their emotions. Even though people say that “art imitates life,” I think that strong color can make art much more interesting than what we see!

You can see more work by Theresa Paden, Jack Roberts, and Cathy Carey at Wilde Meyer Gallery.