By Judy Feldman | www.wildemeyer.com
A few weeks ago, while driving up to Flagstaff, I felt as if I were enveloped in a mass of fluffy grey clouds. It was pleasant, and yet, disconcerting. Something was a little off, and I realized that it was because from my perspective, the horizon was so low. My view was all about the sky and its atmospheric effect.
50" x 60" oil on canvas
54" x 42" oil on canvas
“Clouds have an amorphic shape that enable me to pursue my interest in the emotional content of color,” he said. “Also, the manipulation of their hard and soft edges gives great energy to the paintings.”
At first, Albert just painted clouds, but he then decided to add the thin slice of land below as a counter balance which, he noted, makes the sky look even larger. This is the effect of the low horizon that intrigues me. You can see how this happens in Albert’s painting entitled “Landscape 802.” (Yes, he numbers all his paintings.) In “Landscape 715,” he has increased the size of the ground and textured it with a palette knife, which separates the land and sky and gives the painting a completely different look.
60" x 48" oil on canvas
On the other hand, Larry Taylor’s interest lies in the beautiful gardens he paints, so he purposely keeps his horizon line high. He says that it’s his personal preference, “just the way I look at the scene.”
|The Well Traveled Path
35" x 35" oil on canvas
Since the 1980s, Larry has made periodic trips to England and Wales, visiting the gardens of the British National Trust. The photographs he takes on site are used for inspiration in his paintings. In his work entitled “A Quiet Place,” Larry leads the viewer’s eye up the steps to the horizon, and along the way, we are treated to a gorgeous display of red tulips, purple irises and mounds of golden hued flowers. I just want to walk right into the scene!
40" x 44" oil on canvas
48" x 60" acrylic on canvas
Judy often lets the shape of a canvas determine her design. For example, in “Approaching Sunset,” the 20”X60” format dictates a wide-angle view of the mountains. We see a piece of the horizon line behind the golden shapes, where the sky swirls upward.
20" x 60" acrylic on canvas
You can see more work by Albert Scharf, Lawrence Taylor, and Judy Choate at Wilde Meyer Gallery.