Showing posts with label Dave Klein. Show all posts
Showing posts with label Dave Klein. Show all posts

Transparent Art

Totem 6 by Tom Philabaum
The year 2012 marks the 50th anniversary of the development of studio art glass in America. To celebrate this milestone and recognize the many talented glass artists, many glass demonstrations, lectures and exhibitions will take place in museums, galleries, art centers, universities, organizations, festivals and other venues across the United States throughout 2012.

Here’s a brief history of the glass art movement, taken from a post from the Milwaukee Art Museum. “Fifty years ago, in 1962, Wisconsin artist Harvey Littleton and glass scientist Dominick Labino introduced glass as a medium for artistic expression in two workshops at the Toledo Museum of Art in Ohio. Littleton and Labino developed small furnaces and a glass formula with a low melting point, making it possible for individual artists to work with glass outside of an industrial setting. In 1963 Littleton taught the first glass-blowing class in an American college at the University of Wisconsin–Madison.

“This combination of events kick-started the American Studio Glass movement and introduced a generation of trained artists to glass as a medium for individual, creative expression. In other words, glass moved out of the factory and into artists’ studios.”

In Scottsdale, glass artistry by some of Arizona’s finest artists will be featured during the “Glass Act” art walk on Thursday, April 12, from 7-9pm.

At Wilde Meyer’s Colores Gallery, four glass artists will be featured: Tom Philabaum, Sandy Pendelton, Dave Klein and Sue Goldsand

Tom Philabaum is a veteran accomplished glass artist. He built his first glassblowing studio in 1975 in downtown Tucson, and opened a gallery in 1982. Since that time, the Philabaum Glass Gallery has been showing artists from across the country. Tom continues to spearhead the studio of blown glass, and the more current sculptural and site specific art, using a broad array of techniques, including kiln casting, fusing, slumping, and dalle de verre.

 At Wilde Meyer, you can see pieces from his Precarious Rock Series. Some have scavo surfaces, a difficult Venetian glass-blowing technique that results in giving a blown glass object the appearance of an artifact dug-up after centuries. (Scavo means unearthed in Italian.) Others in the series celebrate bright color combinations. The precarious notion comes from the fact that the “rocks” are faceted and laminated in seemingly gravity-defying positions.
Three Heads are Better than Two by Tom Philabaum


Colores also shows paperweights, vessels and disk sculptures made by Tom, such as Teal Egg, Rock Bowl and Large Jade Disk.
Teal Egg
by Tom Philabaum
Jade Disk
by Tom Philabaum
Rock Bowl
by Tom Philabaum

I think that glass artists and collectors are all interested in the effects of different lighting on glass. These changes give glass art life and make it different from two-dimensional work. Sandy Pendleton’s glass pieces have an iridescent quality to them and many textured surfaces that allow light to bounce around. Sandy notes that they change with the light over the course of a day and become more dramatic in the evening. I can see this happening with her “Violet Geology” Bowl and her “Sapphire River” piece.
Violet Geology by Sandy Pendleton

Feather Stone by Sandy Pendleton

After a lifetime of artistic work in other media, Sue Goldsand discovered fused glass and knew she had found her passion. She likes this medium because it allows her to use strong colors and bold designs to depict her charming animal figures.

Each piece has its own personality. “Teets”, her colorful bird, “Blue Standing Dog” and “Cool Green Cat” are examples of her work.

Fused glass cat art by Sue Goldsand
Cool Green Cat by Sue Goldsand

Sue Goldsand, fused glass
Blue Standing Dog by Sue Goldsand
Dave Klein started blowing glass in Prescott with Michael Joplin in 1980. He enjoys the constant challenge of combining techniques to produce unique works. Dave is the director and co-founder of the Sonoran Glass Art Academy. His statement about glass art conveys the excitement of this 50-year-old art form: “It is the dawn of the ‘Glass Age’, glass technology is racing as never before, new techniques, materials and discoveries are literally exploding in the industry. Glass artists can now take advantage of many new materials and techniques to push the industrial and artistic envelope.”
At Wilde Meyer, Dave glass bowls and display plates are beautiful examples of his proficiency in this medium.

Yellow Bowl with Red Threads by Dave Klein


Waterborn #3 by Dave Klein


Rednot by Dave Klein