The 19th Dog Days

"Cabana Dog" oil on canvas 12"x16"
by Judy Feldman
Wilde Meyer is getting ready for its annual “Dog Days of Summer” show entitled, "The 19th Dog Days," which opens August 4th, 2011 7-9p.m. That got me thinking, “Why are there so many artists at the gallery who show dogs in their paintings?”

Most of my paintings include a dog. It started with Cleo, my loveable Wheaten terrier. I was painting an interior setting and I thought that she would enjoy living in a place like that!

Cleo's Fantasy 20"x16"
by Judy Feldman, 2005

Once she was in the painting, I realized that the scene came alive, and the viewer would know that people lived there with their lovely dog.
Over the years, I’ve painted many other dogs - some belong to friends of mine; others I find from images that are irresistible to me. Cleo has been everywhere (in paintings): France, Morocco and in homes of my imagination. For this dog show, I painted a beagle in a summer fantasy: at the beach, in a cabana, with treats nearby.

But what about the other artists? I contacted a few, and here are their remarks:
Joseph E. Young
Long Eared Dog 12"x12"
by Joseph E. Young
 Joseph E. Young, who paints dogs in beautiful patterned settings inspired by 18th century wallpaper, feels a spiritual connection with these creatures.

Red and White Cat with Puppy 36"x36"
by Joseph E. Young
“Each dog has its own personality that emerges from the painting,” he says. “Dogs bring movement to a painting (notice their tails), and they imply the presence of a human nearby.” Joseph also likes the decorative element a dog brings to a painting.

Like me, he tries to create a world where a dog can live in harmony with its surroundings.
"Really" oil on canvas  8"x8"
by Sheridan Brown
Sheridan Brown
A wallpapered room also figures in the background of a painting by Sheridan Brown entitled “Anticipation.” We don’t see what the dog is looking at, but we can surely guess it’s a person holding something to eat!
Red Irish 5"x5"
by Sheridan Brown

I love the dangling tongue, just waiting to taste the treat. The wondrous looks in the two dogs’ eyes in her painting “Really?” have such a human expression, you can imagine them saying just that! Here are a few of Sheridan's newest paintings where she captures excitement in playful imagery.
"Dont Fence Me In" oil on canvas 30"x36"
by Connie Townsend
Connie Townsend
Connie's dogs live in quite different surroundings –in old cars or trucks!

They all like to drive and hang out of the windows with their tongues and ears flapping. She claims that if you leave a dog in a car, they will inevitably go to the driver’s seat.

I tried that with Cleo, and, yep, she’s right. Connie says that her dog Maggie has been her inspiration in more than 100 paintings, even if she’s painting another breed.
Beagle Scout 30"x30"
by Connie Townsend
According to Connie, “A dog brings a painting to life and a smile to your face. Everytime.” That certainly happens when I look at “Beagle Scout.” The two dogs driving the green pick-up with the RUFF license plate have a crazed look in their eyes, like they’re on the adventure of their lives!

In “Don’t Fence Me In,” Connie uses another vehicle – a motorcycle – to take her dog on a wild ride, with a cat on its head. How could you not smile at that?

"Pugly Pirate" oil on canvas 12"x12"
by Andrea Peterson
Frida Learns to Fly14"x11"
by Andrea Peterson
Andrea Peterson agrees with Connie that paintings with dogs elicit happy feelings, and she says that their posture and expressions “make the painting more dynamic and interesting.”

Andrea has an adopted Chihuahua named Frida. She says that when she saw her at the animal shelter, “since Frida Kahlo is one of my favorite artists, I took that as a sign that she was meant to be my little art buddy!” Frida sometimes sits on Andrea’s lap while she is painting, and I’m wondering if the two friends are both featured in her painting entitled “Lullaby.”

Here is one of Andrea's newest paintings "Pugly Pirate".
Lori Faye Bock on her farm.

Lori Faye Bock

Animals are a big part of Lori Faye Bock’s life. She lives on a farm with many sheep, dogs and cats.

"Wishful Thinking" acrylic on panel 12"x12"
by Lori Faye Bock
No Trick...No Treat  12"x12"
by Lori Faye Bock
Lori says that “every dog I see makes its way into a painting somehow, at some point.”
Occasionally, she paints her own dogs, but she notes that their personalities always shine through the other animals she paints. In her portrait entitled "Wishful thinking," the dog's expression suggests a strong request for a treat (with a hint from the bone image over its head)! Lori doesn’t limit her subjects to dogs.

In “Protecting the Shy One,” she portrays a cow and its calf in such a sweet way – it looks like a mother and child.

"Pink Pantherette" Colorado Alabaster Stone 18"x9"x14"
by Merlin Cohen
Not all Wilde Meyer artists are painters, and not all favor dogs. When you come to visit the upcoming dog show, you’ll see gallery’s guard cat: Merlin Cohen’s stone sculpture entitled “Pink Pantherette.”

But I think it’s safe to say that many of us have a fondness for four-legged creatures, be they dogs, cats, cows or horses. They often are the muses for the art we love to make!

To see more dog days art, click here or contact us.

An Arizona Journey

I Love the Rain 22"x32"
by Alix Stefan
Yes, Scottsdale sizzles in the summer. Yes, we think twice about going out in mid-day, and everyone is jockeying for that primo parking spot under that mesquite tree. But summer is also a great time here. The restaurants are less crowded and offer many specials. The hotels offer great deals for both out-of-towners and locals who want to take a quick drive to a gorgeous resort to chill out around a beautiful pool.

And, speaking of “chill,” this coming week’s Summer Spectacular Artwork is sponsored in part by China Mist Iced Teas! The July art walk is always a very cool event – if not literally, at least in the “great scene” sense.
After the Rain is Over  23.75" x 23.75"
by Alix Stefan
This is actually the 22nd annual event, and Wilde Meyer will be participating with the other galleries on Marshall Way and Main Street. The Wilde Meyer show is called “Arizona Journey,” and it showcases diverse art by its local artists.

Alix Stefan’s landscapes bring our Sonoran desert alive with bright colors. In her painting entitled “After the Rain is Over,” she contrasts a stormy setting with bright red flowers in the foreground, and the red-tipped graceful ocotillo cactus.
"Uplifting Breeze"
by Nancy and Sandy Pendleton
oil on canvas 72" x 24"
Nancy and Sandy Pendleton are sisters. Their collaboration is a combination of abstract painting and textured fused glass. Nancy does the painting; Sandy does the fused glass.

In this work, entitled “Uplifting Breeze,” a fused glass panel hovers about one inch over Nancy’s brilliant red painting. It’s mixed media at its best!

Ka Fisher’s work depicts intimate scenes of Arizona, with a focus on our Native American culture. Her loose brushstrokes, slightly abstracted shapes and unique perspective create a distinctive, expressionistic style.
Sneak Preview oil on canvas 60" x 72"
by Ka Fisher
I really like her painting entitled “Sneak Preview,” depicting a “pop-up” rug show at an open air site, between a herd of sheep and the forest. It’s such a painterly way of showing an event many of us have seen in our travels around Northern Arizona.
"Looking West"
by Barbara Gurwitz
oil on canvas 40" x 50"

Wilde Meyer artists are known for their love of color, and Barbara Gurwitz is no exception. Her landscapes vibrate with bright colors, as you can see in this painting, “Looking West.”

Village Garden 60"x48"
by Barbara Gurwitz
Barbara pulls us into her paintings with a non-traditional view, often showing villages set in a valley surrounded by mountains. I think she has a charming, naïve style, but it’s not wimpy! Each painting makes a bold, exciting statement.

There will be many other local artists work on display (mine, too!) at WM, and of course other wonderful art in the neighborhood’s galleries. So, mark your calendar for July 7, from 7-9 p.m. and plan to wear your “coolest” clothes!

Father's Day: It's Art not Electronics

"A Quick Cup O' Joe"
by Paul Sheldon
giclee on canvas 19" x 13.5"


I’ve been thinking about Father’s Day, which is on June 19. I know most men would love to have an iPAD, but that would be so expected (or wished for). This year, why not do the unexpected and purchase some artwork for your husband/dad? Men enjoy seeing something attractive on their wall, and a gift of a painting can be enjoyed by the whole family.  Here at Wilde Meyer Gallery and at our online shop, ColoresAz.com, there are many selections, from giclee prints to original oils.

I definitely don’t want to be sexist about some recommendations, but since it’s for Father’s Day, I’ll go for the more “masculine” works. If your gift recipient likes cowboy art with a contemporary flair, check out prints by Thom Ross, such as “Running Gunmen,” or “The Clanton Gang Crossing Allen Street.”
"The Clanton Gang Crossing Allen Street"
by Thom Ross
Giclee on canvas 18" x 18"


Paul Sheldon also paints “manly” style, and offers several prints of his colorful cowboy work including “A Quick Cup o’ Joe,” (as seen at the top of the post) or a beautifully rendered painting of three horses called “Breakfast Bunch.”  If your guy likes cars better than horses, Paul also does a great painting called “Flatbed Ford.”
"Flatbed Ford"
by Paul Sheldon
giclee on canvas 16" x 27"

And, there are several other Wilde Meyer artists who find cars a favorite subject . . . 

Bill Colt uses mixed media on canvas to depict colorful images of old power cars, such as this one, called “Desert Caddy.” His painting “Roadmaster,” takes us back to a time when big grillwork was all the rage – that might evoke some fond memories for your Dad!

"Roadmaster"
by Bill Colt
mixed media on canvas 24" x 48"
Michael Baum is another artist who favors Western imagery, and his paintings depict  small mining towns and isolated ranches as well as urban street scenes. Some of Michael's paintings are lighthearted and playful, such as this giclee print on canvas called “Hide N’ Seek.” Others express the loneliness and solitude of the Western landscape.
"Sunrise on an Arizona Backroad"
by Michael Baum
oil on canvas panel in frame  16.5" x 19.5"


A vintage car also appears in Stephen Morath’s high color serigraph entitled “Arizona Noche.” It’s a fantasy road trip in the southwest, where all the fun themes of the desert come together.

"Arizona Noche"
by Stephen Morath
serigraph print on paper 25" x 31"

Women artists paint cars, too! Connie Townsend’s beefy cars are usually on a wild ride, and, as in “Beagle Scout”, they are driven by some crazy dogs.

"Beagle Scout"
by Connie Townsend
oil on canvas 30" x 30"

Brian Boner’s huge oil called “Tractor 1707” would be great for a guy who has a big wall space and likes looking at cool farm machinery.
"Tractor 1707"
by Brian Boner
oil on canvas 65" x 68"


Well, actually, I think I have been sexist in my suggestions! But since you know your Father’s Day guy the best, just go back to the Wilde Meyer Gallery website and check out the other artists’ work to find the one that he’ll like.

Inspired by Saints


Recently, Wilde Meyer artist Linda Carter Holman has been inspired by saints. In particular, the Santos, which are the beautiful paintings of saints found in churches throughout Mexico. Like the Greek Orthodox icons, the Santos have become an art form, and they are painted away from church settings by artists who are enamored of the symbolism and stories associated with each saint. In New Mexico, they are called “retablos,” and their folk art charm has wide appeal.

Linda has done her own interpretation of the Santos. She’s painted a series of eight retablos on 12" x 9" wood panels, each with its own decorated stand. Linda is the perfect artist for this genre. She’s used her strong colors and folk art style to depict the saints that were inspiring to her. The back of each panel tells the story of that saint.


The Virgin of the Dove is my favorite. The figure has such a peaceful face – so characteristic of Linda’s work:

"Nuestra Senora de la Concepcion Immaculada"
by Linda Carter Holman
oil on wood 14" x 11" x 4"
 The virgin’s hands join together to cradle flowers and the white dove, which symbolize purity and exemption from the sins of the world. According to Linda, this is one of the more popular Mexican Santos.


Although the figure in "The Holy Child of Atocha" is a young man, he looks very much like the women in Linda’s paintings:
"The Holy Child of Atocha"
by Linda Carter Holman
oil on wood 14" x 11" x 4"
The shackles on his feet represent imprisonment, since he is the saint people pray to for freedom from confinement of any nature. His serene expression and the primary colors of his clothing embody Linda’s distinctive style. The stand has painted hands reaching out – a symbol of hope.


Patron saints can be practical, too. According to Linda, La Madre Santisima de la Luz – the saint of light – is now the patron saint of electricians! Her retablo depicts her in the traditional sense, as a mythic figure, lifting a sinful soul from hell and surrounded by angels and clouds. On her left arm she carries her divine son. A kneeling angel presents a basket filled with hearts.

"La Madre Santisima de La Luz"
by Linda Carter Holman
oil on wood 14" x 11" x 4"


You can see Linda’s eight retablos at Wilde Meyer’s Tucson gallery.

Rooms with a View

Cleo in the Garden Room  oil on canvas 36"x48"
by Judy Feldman
In the Red Room, (2007) 30"x30"
by Judy Feldman
I have always been attracted to scenes that include a window or patio – I love showing the foliage outside and contrasting the view with an interior setting. You can see this idea in my painting, “Cleo in the Garden Room."
Recently, I visited New York City to get my culture “fix.” I saw some wonderful museum exhibits, including one at the Metropolitan Museum of Art entitled “Rooms with a View: The Open Window in the 19th Century.”

During the Romantic era, the open window appeared in many paintings of interiors. For the first time, the window is actually the focal point, often showing views from the artist’s studio. In addition to the effects of light on the interior room, you get the impression of a painting within a painting, as some of the window scenes are quite detailed.

Cleo and the Red Chair 36"x36"
by Judy Feldman
 This theme of rooms with a view has continued to attract many painters ever since. I’m thinking of the wonderful paintings of Matisse who used the theme of an open window throughout his long career. In Open Window, Collioure, (National Gallery of Art), he painted the view out the window of his apartment on the Southern coast of France. He used the theme of the open window in Paris and especially during the years in Nice, Grand Interieur (Art Institute of Chicago) and Etretat, and in his final years, particularly during the late 1940s.

Pierre Bonnard also painted from his home, favoring interior scenes of his family and daily life. In “The Green Blouse,” (Metropolitan Museum) the window is a prominent part of the background; in the “Dining Room Overlooking the Garden,” (MoMA) the view outside is even larger than the table setting inside.

 Here at Wilde Meyer, you can see several artists who have been influenced by this theme of Rooms with a View.
 
 
My Real Life Big Screen TV acrylic on panel  18" x 20"
by Lori Faye Bock

  Lori Faye Bock
In her painting entitled “My Real Life Big Screen TV,” Lori Faye Bock shows a fantasy view outside a dining room window. It’s very decorative – a painting within a painting.
Doesn't Get Much Better Than This!
acrylic on panel
by Lori Faye Bock

 
Breakfast on the Portal
acrylic on panel in handmade frame 22" x 26"
by Fran Larsen


Fran Larsen
The view of a large red mountain and lush foliage is the focal point of Fran Larsen’s “Breakfast on the Portal” painting. Her vivid colors take us outside, beyond the vignette of the purple chair and oddly sloped table.

Living Room, Our House
28"x32"
by Fran Larsen

 Mermaid reverse glass painting on reclaimed window 27" x 30"
by Melinda Curtin

Melinda Curtin takes the window theme to another level. She actually paints on vintage windows in a reverse glass process. The window frame becomes the painting frame, and sometimes she paints an additional frame inside, as in this image, “Mermaid.” 

Horse at Night 27"x30"
by Melinda Curtin
So the next time you see a beautiful scene outside a window, think of all the artists who have been inspired by this visual act to create some amazing works of art!