Found Objects: Recycled or Re-purposed

Melinda Curtin, Cacti and Succulents 28" x 36"
reverse glass painting in vintage window
Recycling is now a common word in our vocabulary. We recycle paper, glass and certain plastics in a special pail, and we often find that things we buy were once something altogether different, like a floor mat made from old flip-flops!

Charles Davison, Magic Sky
28.5"x22.5"
acrylic, buttons, paper, yarn,
 & various metal objects on panel

Art also can be made from recycled objects, and the results are pretty creative. The other day, I found a piece of corrugated metal from an old wood icebox in my studio. I started wondering what I could possibly do with it. Probably make an interesting small painting. Or, maybe I could adhere it to a larger piece of wood. Or, maybe stick some small rocks or shells on it. These decisions will require some thought! In the meantime, I decided to check out some of the Wilde Meyer artists who use found objects in their artwork. They seem to know exactly what to do with bits and pieces of stuff!
Charles Davison, Prosperity Tree
36"x32" mixed media

Charles Davison’s work reflects his collecting habit. He has a stockpile of buttons, antique jewelry, rusted bottle caps, stones, papers and fabrics that enable him to produce multi-media pieces that are infused with bright color and textures.

A self-described pack rat, Charles says that he gets his materials from thrift shops, antique stores, and from things he finds in the desert. His three-dimensional artwork can be appreciated from a distance, and elicits delight upon closer examination, when you discover what materials are in the paintings.

Charles Davison, Jonah's Tale, 20"x20"
mixed media: acrylic paint, buttons, mirror, beads, fabric, printed paper, bottle tops

For example, in his painting entitled “Jonah’s Tale”, Jonah is standing atop different found materials, looking at a huge fish encrusted with buttons. Behind the watery shoreline, a bright orange background is made from what looks to be an embroidered Indian fabric, perhaps a sari in an earlier life. The sun is made of several found objects, and the entire piece is framed in buttons.

Charles Davison, Calling up the Moon, 56"x56"
mixed media tapestry:fabric, objects include beads, ceramic dishes

Charles says that his collection often gives him ideas for paintings. Or, he may have an image in mind, and then delves into his huge inventory to find just the right objects. Rusted metal objects, wooden stars and decorative house moldings all play roles in different paintings. Some objects are glued on with epoxies; others are sewn on. “Calling Up the Moon” is a work that took him four years to complete. It features miniature dishes, semi-precious stones, beadwork and appliqued fabrics.


Melinda Curtin, Party Dogs in the Pueblo 28" x 36"
reverse glass painting in vintage window

Melinda Curtin, Snake and Cacti 57" x 27"
reverse glass on vintage window
Old windows are the canvas for Melinda Curtin’s paintings. Her first collection was from windows she found at a salvage yard. Now, she gets calls from people who are re-modeling homes in old Tucson and want to dispose of their old windows. Melinda does reverse paintings on the glass, and keeps the old frames as they are. “I like the idea that these windows have been used before,” she said. “Reverse glass painting originated in Europe centuries ago,” she explained. “It’s a folk art concept that we see in many different cultures.”

Melinda puts a contemporary, playful twist on this style. She taught art in elementary school in the past and refers to the way kids think when she conjures up an image. “Kids have a wonderful simplicity and happiness that I like to convey.”

She lives in Tucson, and her work has a southwestern influence. Her technique for painting on glass is challenging, since she has to paint in reverse. She told me that she has to paint the details first, and then add the main image on top. “You have to think backwards, “she said. “The details you would normally do last, you have to paint first.” Her painting, “Party Dogs in the Pueblo,” is painted on a window with its original hardware intact. It’s typical of her style, with bright colors; flat, playful images and a southwestern theme.
Melinda Curtin, Casa Sedona 28" x 30"
reverse glass on vintage window

“Casa Sedona” also has a weathered frame and old hardware, with the bright blue sky, cacti and simple subject rendering she favors. Things got a little more complicated in “Snake and Cacti,” since she had to work on a 10-panel window, and unite the 10 different images by theme and color.


I can see that using old materials for new art requires quite a collecting habit, a great deal of imagination and a bit of humor. Now what can I do with that piece of corrugated metal (and my old button collection)??

Myths, Truth & Western Characters

Thom Ross | Doc Holiday
Doc Holiday 40"x30"
Thom Ross | Wyatt Earp
Wyatt Earp 40"x30"
Myths and truth are the narratives that run through the distinctive paintings by Thom Ross. In his art, Thom paints famous Western characters in a distinctive way that tells a more complex story than the traditional historical myths we have come to know. “I’m a storyteller who paints,” he says.

Some of Thom's most well know  paintings is his ongoing series of works about the Gunfight at O.K. Corral.  Here is a bit of background on the Gunfight at O.K. Corral from Wikipedia:
The Gunfight at the O.K. Corral was a gunfight that took place at about 3:00 p.m. on Wednesday, October 26, 1881, in Tombstone, Cochise County, Arizona Territory, of the United States and which is generally regarded as the most famous gunfight in the history of the American Old West. The gunfight, believed to have lasted only about thirty seconds, was fought between the outlaw Cowboys Billy Clanton, Tom McLaury and his brother Frank McLaury, and the opposing lawmen Virgil Earp and his brothers Morgan and Wyatt Earp, aided by Doc Holliday acting as a temporary deputy of Virgil. Cowboys Ike Clanton and Billy Claiborne ran from the fight unharmed, but Ike's brother Billy Clanton, along with both McLaurys, were killed. Lawmen Holliday and Morgan and Virgil Earp were wounded. Only Wyatt Earp came through the fight unharmed. The fight has come to represent a time in American history when the frontier was open range for outlaws opposed by law enforcement that was spread thin over vast territories, leaving some areas unprotected.

Thom Ross | Clanton Gang Crossing Allen Street
Clanton Gang Crossing Allen Street 18"x18" giclee print

And here are a couple from our image archives.  Some, Thom painted many years ago:

Thom Ross | Gunfight at OK Corral
The Gunfight at OK Corral  oil on canvas 48"x72"  2009

Waiting in the Corral, oil on canvas 48"x48" 2005
Midnight Tombstone Quartet 2005
Billy Clanton, 2001
Virgil Earp, 2001


Tom McLaury is Dead, 2001
Billy Clanton's Last Shot, 2001




The Storyteller & The Dream Maker

The Dream Maker by Andrea Peterson
What stimulates the artistic mind to pick up a brush and create a painting, or to produce a beautiful object, or, for that matter, to write a compelling novel? Sometimes we see something that triggers our imagination – whether it’s a beautiful landscape, a bowl of perfect fruit, colors that turn us on, or a story that we’ve overheard.

Some artists use many of these stimuli to create their work. Painters can tell the story of what they’ve been thinking about through narrative art. These storytellers don’t use words; they use images and color to inform the viewer.

Ka Fisher’s paintings, which have a lovely, Impressionist style, tell stories about Native Americans – their land and the things they do during their daily lives. She told me that she often visits places like Chinle, Kayenta and Canyon de Chelly for her inspiration. At the Hubbell Trading post, she has taken a “listening tour,” where she overhears conversations among customers.

Escape Plan by Ka Fisher

Billy Blue Hat Rides by Ka Fisher
“I get many ideas from the people I meet and the stories I hear,” Ka said. For example, I heard about animals that tend to get away such as problem sheep. That provided me with the idea for ‘Escape Plan,’  which depicts a woman herder and a border collie keeping watch over sheep that seem to have another idea about where they want to go.”
Boots and Fetish
by Ka Fisher

Another painting, “Come to Say Hello,” was inspired by a moment when Ka was at a ranch in Taos eating donuts and some horses approached her. “I think they wanted a taste,” she said. “That was a moment I remembered and decided to share in this painting.” Although her references are accurate, Ka’s color palette is very imaginative, as you can see in her paintings.

Come to Say Hello by Ka Fisher
Sometimes memories can play a role in narrative painting. In Ka Fisher’s case, she spent her childhood summers in Canada by a river near two Indian villages. The scenes she paints incorporate some of that landscape, along with the Southwest she has adopted as her current home.

Andrea Peterson’s paintings are based on ancient mythology, lost legends and a time when nature was full of mystery. She, too, tells stories about cultures, often referring to eastern traditions and symbolism. Andrea’s paintings seem to be inspired by thoughts of figures wandering through mystical lands.

Phoenix and the Tiger by Andrea Peterson
Field of Piece by Andrea Peterson
For example, in “Phoenix and the Tiger,” she uses popular yin/yang symbols. The white tiger is a rare animal, and a powerful representation of strength, or yang. The girl has the tattoo of the Phoenix bird, a feminine, or yin, symbol of rebirth. Although this painting is highly imaginative, Andrea told me that the background is actually a depiction of an actual Chinese landscape called "Tiger Leaping Gorge."
My Bonnie by Andrea Peterson

In her painting entitled “Field of Piece,” we see a young woman with windblown hair cradling a lamb. The landscape that surrounds her is clearly one of the artist’s imaginations, and we wonder about the story that she is telling us here.

Her newest painting, entitled "Spirit World," is inspired by the annual Chinese lantern festival where many lanterns are released the first full moon of the New Year.

Spirit World celebrates positive relationships between people, ancestors, nature and the higher beings that were believed to be responsible for bringing or returning the light each year,” Andrea said. “The large size of this painting gives the viewer the sense of not just looking at a peaceful scene, but the feeling of being within the painting themselves,” she explained.

Spirit World by Andrea Peterson
As you can see, narrative art depicts subjects that are dear to an artist’s heart. In my next blog post, I’m going to look at paintings by Thom Ross. His stories are all about famous Western characters and the myths that follow them. Should be interesting!

Small Worlds


Interior "Landscapes" That Create Small Worlds

Recently, I had the thrill of opening the May issue of Phoenix Home & Garden and seeing, on P. 132, a beautiful large photo of a recent painting of mine, called “Temptation.” That definitely made my day! The painting will be part of an exhibit at Colores in early May about “Interiors, Objects and Little Worlds.”

Temptation, Judy Feldman
As you can see, it depicts a cozy living room, where the owners are ready to have some tea and cupcakes – unless Cleo gets to them first!

Never Leaving, Diane Barbee
I’ve always been attracted to interior settings, some real, some imagined. I like to paint a place where I’ve enjoyed myself, or create one where I’d like to be. But so have many other painters, including such masters as Matisse, Bonnard and Hockney. Interiors provide a vehicle for self-expression, particularly if you love color, fabrics, still lifes and window scenes.

Several other Wilde Meyer artists share these interests. Diane Barbee uses interior furnishings to express her joy of color and her optimism about life. She, too, likes to create her own world through painting. In “Round Zebra Pillow,” Diane combines images of things she likes: a funky chair and ottoman with a giant zebra skin pillow, paintings of landscapes and a polka dot dress hanging jauntily from a window. In “Never Leaving,” she zeroes in on the chair itself, using fabrics in colorful, complimentary colors. The diverging lines on the chair cushion and the wood floor take our eye to the back wall, where there is more pattern.
Round Zebra Pillow, Diane Barbee
Freshness and surprise are qualities that come to mind when viewing Diane's work. She believes that life should be full of wonder and inspiration. Her philosophy allows her to enjoy a variety of subject matter. Considering herself an expressionist; she uses color to convey that and her subject matter is a vehicle to that end. Diane is an eternal optimist and hopes to bring that optimism to every painting she creates.
My Real Life Big Screen TV, Lori Faye Bock

Lori Faye Bock also has a personalized vision of interiors. In “My Real Life Big Screen TV,” she presents us with a view from a dining table of a fanciful, walled garden. Everything in this painting is interpreted in a whimsical way. The bold colors and the simplified furniture, flowers, vegetables and animals express an endearing wonder. You could say it’s child-like, but I think it’s more sophisticated than that.

Country House, Jacqueline Rochester
The late Jacqueline Rochester expressed her love of interiors in a more tranquil way. Her color palate is softer, and although she does use patterns in some paintings, they do not affect the viewer in the same way as those in Diane’s paintings.

For example, in “The Present,” the patterned tablecloth, scarf and woman’s dress all catch our attention, but they are not the focal point. Our eyes go to the dog and the gift behind him. The angles of the scarf and the wall corner direct us to the focal point. In “Country House,” the pale pink interior is so soothing, beckoning us to come in, rest and bask in the rays from large sunlit windows.

The Present, Jacqueline Rochester

All these artists have their own personal style, but I would say that those of us who love to paint interiors aim to convey a feeling of contentment and joy to our viewers.


Transparent Art

Totem 6 by Tom Philabaum
The year 2012 marks the 50th anniversary of the development of studio art glass in America. To celebrate this milestone and recognize the many talented glass artists, many glass demonstrations, lectures and exhibitions will take place in museums, galleries, art centers, universities, organizations, festivals and other venues across the United States throughout 2012.

Here’s a brief history of the glass art movement, taken from a post from the Milwaukee Art Museum. “Fifty years ago, in 1962, Wisconsin artist Harvey Littleton and glass scientist Dominick Labino introduced glass as a medium for artistic expression in two workshops at the Toledo Museum of Art in Ohio. Littleton and Labino developed small furnaces and a glass formula with a low melting point, making it possible for individual artists to work with glass outside of an industrial setting. In 1963 Littleton taught the first glass-blowing class in an American college at the University of Wisconsin–Madison.

“This combination of events kick-started the American Studio Glass movement and introduced a generation of trained artists to glass as a medium for individual, creative expression. In other words, glass moved out of the factory and into artists’ studios.”

In Scottsdale, glass artistry by some of Arizona’s finest artists will be featured during the “Glass Act” art walk on Thursday, April 12, from 7-9pm.

At Wilde Meyer’s Colores Gallery, four glass artists will be featured: Tom Philabaum, Sandy Pendelton, Dave Klein and Sue Goldsand

Tom Philabaum is a veteran accomplished glass artist. He built his first glassblowing studio in 1975 in downtown Tucson, and opened a gallery in 1982. Since that time, the Philabaum Glass Gallery has been showing artists from across the country. Tom continues to spearhead the studio of blown glass, and the more current sculptural and site specific art, using a broad array of techniques, including kiln casting, fusing, slumping, and dalle de verre.

 At Wilde Meyer, you can see pieces from his Precarious Rock Series. Some have scavo surfaces, a difficult Venetian glass-blowing technique that results in giving a blown glass object the appearance of an artifact dug-up after centuries. (Scavo means unearthed in Italian.) Others in the series celebrate bright color combinations. The precarious notion comes from the fact that the “rocks” are faceted and laminated in seemingly gravity-defying positions.
Three Heads are Better than Two by Tom Philabaum


Colores also shows paperweights, vessels and disk sculptures made by Tom, such as Teal Egg, Rock Bowl and Large Jade Disk.
Teal Egg
by Tom Philabaum
Jade Disk
by Tom Philabaum
Rock Bowl
by Tom Philabaum

I think that glass artists and collectors are all interested in the effects of different lighting on glass. These changes give glass art life and make it different from two-dimensional work. Sandy Pendleton’s glass pieces have an iridescent quality to them and many textured surfaces that allow light to bounce around. Sandy notes that they change with the light over the course of a day and become more dramatic in the evening. I can see this happening with her “Violet Geology” Bowl and her “Sapphire River” piece.
Violet Geology by Sandy Pendleton

Feather Stone by Sandy Pendleton

After a lifetime of artistic work in other media, Sue Goldsand discovered fused glass and knew she had found her passion. She likes this medium because it allows her to use strong colors and bold designs to depict her charming animal figures.

Each piece has its own personality. “Teets”, her colorful bird, “Blue Standing Dog” and “Cool Green Cat” are examples of her work.

Fused glass cat art by Sue Goldsand
Cool Green Cat by Sue Goldsand

Sue Goldsand, fused glass
Blue Standing Dog by Sue Goldsand
Dave Klein started blowing glass in Prescott with Michael Joplin in 1980. He enjoys the constant challenge of combining techniques to produce unique works. Dave is the director and co-founder of the Sonoran Glass Art Academy. His statement about glass art conveys the excitement of this 50-year-old art form: “It is the dawn of the ‘Glass Age’, glass technology is racing as never before, new techniques, materials and discoveries are literally exploding in the industry. Glass artists can now take advantage of many new materials and techniques to push the industrial and artistic envelope.”
At Wilde Meyer, Dave glass bowls and display plates are beautiful examples of his proficiency in this medium.

Yellow Bowl with Red Threads by Dave Klein


Waterborn #3 by Dave Klein


Rednot by Dave Klein